| \'On the Road: The Jack Kerouac Trail\' will follow the route taken by Sal Paradise (Jack Kerouac) in the novel written in April 1951. |
| The photographs, which will be taken over the coming five years, aim to show the changes in society and the modern landscape of America. This fascinating look at humanity and in particularly the eclectic groups that one of the world’s superpowers has amongst its people, allows us to delve into a world that we only get to glimpse of in today’s media. |
| Through these photographs I hope to gain an understanding of the impossible complexities of life. As the book ends "Nobody knows what’s going to happen to anybody besides the forlorn rags of growing old." |
| These photographs will aim to view both the high and low strata of American society. The project as a whole will create a complicated portrait of this period that views the skepticism of contemporary values and evocative of ubiquitous loneliness that America has come to stand for. With many people’s view becoming more cynical then ever regarding American politics, those everyday folks, who are rarely seen in the media, will be captured for all to see in their everyday glory. |
| The project will be updated over the coming five years. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n |
| \'On the Road: The Jack Kerouac Trail\' will follow the route taken by Sal Paradise (Jack Kerouac) in the novel written in April 1951. |
| The photographs, which will be taken over the coming five years, aim to show the changes in society and the modern landscape of America. This fascinating look at humanity and in particularly the eclectic groups that one of the world’s superpowers has amongst its people, allows us to delve into a world that we only get to glimpse of in today’s media. |
| Through these photographs I hope to gain an understanding of the impossible complexities of life. As the book ends "Nobody knows what’s going to happen to anybody besides the forlorn rags of growing old." |
| These photographs will aim to view both the high and low strata of American society. The project as a whole will create a complicated portrait of this period that views the skepticism of contemporary values and evocative of ubiquitous loneliness that America has come to stand for. With many people’s view becoming more cynical then ever regarding American politics, those everyday folks, who are rarely seen in the media, will be captured for all to see in their everyday glory. |
| The project will be updated over the coming five years. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| \'On the Road: The Jack Kerouac Trail\' will follow the route taken by Sal Paradise (Jack Kerouac) in the novel written in April 1951. |
| The photographs, which will be taken over the coming five years, aim to show the changes in society and the modern landscape of America. This fascinating look at humanity and in particularly the eclectic groups that one of the world’s superpowers has amongst its people, allows us to delve into a world that we only get to glimpse of in today’s media. |
| Through these photographs I hope to gain an understanding of the impossible complexities of life. As the book ends "Nobody knows what’s going to happen to anybody besides the forlorn rags of growing old." |
| These photographs will aim to view both the high and low strata of American society. The project as a whole will create a complicated portrait of this period that views the skepticism of contemporary values and evocative of ubiquitous loneliness that America has come to stand for. With many people’s view becoming more cynical then ever regarding American politics, those everyday folks, who are rarely seen in the media, will be captured for all to see in their everyday glory. |
| The project will be updated over the coming five years. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| \'On the Road: The Jack Kerouac Trail\' will follow the route taken by Sal Paradise (Jack Kerouac) in the novel written in April 1951. |
| The photographs, which will be taken over the coming five years, aim to show the changes in society and the modern landscape of America. This fascinating look at humanity and in particularly the eclectic groups that one of the world’s superpowers has amongst its people, allows us to delve into a world that we only get to glimpse of in today’s media. |
| Through these photographs I hope to gain an understanding of the impossible complexities of life. As the book ends "Nobody knows what’s going to happen to anybody besides the forlorn rags of growing old." |
| These photographs will aim to view both the high and low strata of American society. The project as a whole will create a complicated portrait of this period that views the skepticism of contemporary values and evocative of ubiquitous loneliness that America has come to stand for. With many people’s view becoming more cynical then ever regarding American politics, those everyday folks, who are rarely seen in the media, will be captured for all to see in their everyday glory. |
| The project will be updated over the coming five years. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| \'On the Road: The Jack Kerouac Trail\' will follow the route taken by Sal Paradise (Jack Kerouac) in the novel written in April 1951. |
| The photographs, which will be taken over the coming five years, aim to show the changes in society and the modern landscape of America. This fascinating look at humanity and in particularly the eclectic groups that one of the world’s superpowers has amongst its people, allows us to delve into a world that we only get to glimpse of in today’s media. |
| Through these photographs I hope to gain an understanding of the impossible complexities of life. As the book ends "Nobody knows what’s going to happen to anybody besides the forlorn rags of growing old." |
| These photographs will aim to view both the high and low strata of American society. The project as a whole will create a complicated portrait of this period that views the skepticism of contemporary values and evocative of ubiquitous loneliness that America has come to stand for. With many people’s view becoming more cynical then ever regarding American politics, those everyday folks, who are rarely seen in the media, will be captured for all to see in their everyday glory. |
| The project will be updated over the coming five years. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| \'On the Road: The Jack Kerouac Trail\' will follow the route taken by Sal Paradise (Jack Kerouac) in the novel written in April 1951. |
| The photographs, which will be taken over the coming five years, aim to show the changes in society and the modern landscape of America. This fascinating look at humanity and in particularly the eclectic groups that one of the world’s superpowers has amongst its people, allows us to delve into a world that we only get to glimpse of in today’s media. |
| Through these photographs I hope to gain an understanding of the impossible complexities of life. As the book ends "Nobody knows what’s going to happen to anybody besides the forlorn rags of growing old." |
| These photographs will aim to view both the high and low strata of American society. The project as a whole will create a complicated portrait of this period that views the skepticism of contemporary values and evocative of ubiquitous loneliness that America has come to stand for. With many people’s view becoming more cynical then ever regarding American politics, those everyday folks, who are rarely seen in the media, will be captured for all to see in their everyday glory. |
| The project will be updated over the coming five years. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| \'On the Road: The Jack Kerouac Trail\' will follow the route taken by Sal Paradise (Jack Kerouac) in the novel written in April 1951. |
| The photographs, which will be taken over the coming five years, aim to show the changes in society and the modern landscape of America. This fascinating look at humanity and in particularly the eclectic groups that one of the world’s superpowers has amongst its people, allows us to delve into a world that we only get to glimpse of in today’s media. |
| Through these photographs I hope to gain an understanding of the impossible complexities of life. As the book ends "Nobody knows what’s going to happen to anybody besides the forlorn rags of growing old." |
| These photographs will aim to view both the high and low strata of American society. The project as a whole will create a complicated portrait of this period that views the skepticism of contemporary values and evocative of ubiquitous loneliness that America has come to stand for. With many people’s view becoming more cynical then ever regarding American politics, those everyday folks, who are rarely seen in the media, will be captured for all to see in their everyday glory. |
| The project will be updated over the coming five years. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| \'On the Road: The Jack Kerouac Trail\' will follow the route taken by Sal Paradise (Jack Kerouac) in the novel written in April 1951. |
| The photographs, which will be taken over the coming five years, aim to show the changes in society and the modern landscape of America. This fascinating look at humanity and in particularly the eclectic groups that one of the world’s superpowers has amongst its people, allows us to delve into a world that we only get to glimpse of in today’s media. |
| Through these photographs I hope to gain an understanding of the impossible complexities of life. As the book ends "Nobody knows what’s going to happen to anybody besides the forlorn rags of growing old." |
| These photographs will aim to view both the high and low strata of American society. The project as a whole will create a complicated portrait of this period that views the skepticism of contemporary values and evocative of ubiquitous loneliness that America has come to stand for. With many people’s view becoming more cynical then ever regarding American politics, those everyday folks, who are rarely seen in the media, will be captured for all to see in their everyday glory. |
| The project will be updated over the coming five years. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| \'On the Road: The Jack Kerouac Trail\' will follow the route taken by Sal Paradise (Jack Kerouac) in the novel written in April 1951. |
| The photographs, which will be taken over the coming five years, aim to show the changes in society and the modern landscape of America. This fascinating look at humanity and in particularly the eclectic groups that one of the world’s superpowers has amongst its people, allows us to delve into a world that we only get to glimpse of in today’s media. |
| Through these photographs I hope to gain an understanding of the impossible complexities of life. As the book ends "Nobody knows what’s going to happen to anybody besides the forlorn rags of growing old." |
| These photographs will aim to view both the high and low strata of American society. The project as a whole will create a complicated portrait of this period that views the skepticism of contemporary values and evocative of ubiquitous loneliness that America has come to stand for. With many people’s view becoming more cynical then ever regarding American politics, those everyday folks, who are rarely seen in the media, will be captured for all to see in their everyday glory. |
| The project will be updated over the coming five years. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| \'On the Road: The Jack Kerouac Trail\' will follow the route taken by Sal Paradise (Jack Kerouac) in the novel written in April 1951. |
| The photographs, which will be taken over the coming five years, aim to show the changes in society and the modern landscape of America. This fascinating look at humanity and in particularly the eclectic groups that one of the world’s superpowers has amongst its people, allows us to delve into a world that we only get to glimpse of in today’s media. |
| Through these photographs I hope to gain an understanding of the impossible complexities of life. As the book ends "Nobody knows what’s going to happen to anybody besides the forlorn rags of growing old." |
| These photographs will aim to view both the high and low strata of American society. The project as a whole will create a complicated portrait of this period that views the skepticism of contemporary values and evocative of ubiquitous loneliness that America has come to stand for. With many people’s view becoming more cynical then ever regarding American politics, those everyday folks, who are rarely seen in the media, will be captured for all to see in their everyday glory. |
| The project will be updated over the coming five years. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| \'On the Road: The Jack Kerouac Trail\' will follow the route taken by Sal Paradise (Jack Kerouac) in the novel written in April 1951. |
| The photographs, which will be taken over the coming five years, aim to show the changes in society and the modern landscape of America. This fascinating look at humanity and in particularly the eclectic groups that one of the world’s superpowers has amongst its people, allows us to delve into a world that we only get to glimpse of in today’s media. |
| Through these photographs I hope to gain an understanding of the impossible complexities of life. As the book ends "Nobody knows what’s going to happen to anybody besides the forlorn rags of growing old." |
| These photographs will aim to view both the high and low strata of American society. The project as a whole will create a complicated portrait of this period that views the skepticism of contemporary values and evocative of ubiquitous loneliness that America has come to stand for. With many people’s view becoming more cynical then ever regarding American politics, those everyday folks, who are rarely seen in the media, will be captured for all to see in their everyday glory. |
| The project will be updated over the coming five years. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| \'On the Road: The Jack Kerouac Trail\' will follow the route taken by Sal Paradise (Jack Kerouac) in the novel written in April 1951. |
| The photographs, which will be taken over the coming five years, aim to show the changes in society and the modern landscape of America. This fascinating look at humanity and in particularly the eclectic groups that one of the world’s superpowers has amongst its people, allows us to delve into a world that we only get to glimpse of in today’s media. |
| Through these photographs I hope to gain an understanding of the impossible complexities of life. As the book ends "Nobody knows what’s going to happen to anybody besides the forlorn rags of growing old." |
| These photographs will aim to view both the high and low strata of American society. The project as a whole will create a complicated portrait of this period that views the skepticism of contemporary values and evocative of ubiquitous loneliness that America has come to stand for. With many people’s view becoming more cynical then ever regarding American politics, those everyday folks, who are rarely seen in the media, will be captured for all to see in their everyday glory. |
| The project will be updated over the coming five years. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| \'On the Road: The Jack Kerouac Trail\' will follow the route taken by Sal Paradise (Jack Kerouac) in the novel written in April 1951. |
| The photographs, which will be taken over the coming five years, aim to show the changes in society and the modern landscape of America. This fascinating look at humanity and in particularly the eclectic groups that one of the world’s superpowers has amongst its people, allows us to delve into a world that we only get to glimpse of in today’s media. |
| Through these photographs I hope to gain an understanding of the impossible complexities of life. As the book ends "Nobody knows what’s going to happen to anybody besides the forlorn rags of growing old." |
| These photographs will aim to view both the high and low strata of American society. The project as a whole will create a complicated portrait of this period that views the skepticism of contemporary values and evocative of ubiquitous loneliness that America has come to stand for. With many people’s view becoming more cynical then ever regarding American politics, those everyday folks, who are rarely seen in the media, will be captured for all to see in their everyday glory. |
| The project will be updated over the coming five years. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| \'On the Road: The Jack Kerouac Trail\' will follow the route taken by Sal Paradise (Jack Kerouac) in the novel written in April 1951. |
| The photographs, which will be taken over the coming five years, aim to show the changes in society and the modern landscape of America. This fascinating look at humanity and in particularly the eclectic groups that one of the world’s superpowers has amongst its people, allows us to delve into a world that we only get to glimpse of in today’s media. |
| Through these photographs I hope to gain an understanding of the impossible complexities of life. As the book ends "Nobody knows what’s going to happen to anybody besides the forlorn rags of growing old." |
| These photographs will aim to view both the high and low strata of American society. The project as a whole will create a complicated portrait of this period that views the skepticism of contemporary values and evocative of ubiquitous loneliness that America has come to stand for. With many people’s view becoming more cynical then ever regarding American politics, those everyday folks, who are rarely seen in the media, will be captured for all to see in their everyday glory. |
| The project will be updated over the coming five years. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| \'On the Road: The Jack Kerouac Trail\' will follow the route taken by Sal Paradise (Jack Kerouac) in the novel written in April 1951. |
| The photographs, which will be taken over the coming five years, aim to show the changes in society and the modern landscape of America. This fascinating look at humanity and in particularly the eclectic groups that one of the world’s superpowers has amongst its people, allows us to delve into a world that we only get to glimpse of in today’s media. |
| Through these photographs I hope to gain an understanding of the impossible complexities of life. As the book ends "Nobody knows what’s going to happen to anybody besides the forlorn rags of growing old." |
| These photographs will aim to view both the high and low strata of American society. The project as a whole will create a complicated portrait of this period that views the skepticism of contemporary values and evocative of ubiquitous loneliness that America has come to stand for. With many people’s view becoming more cynical then ever regarding American politics, those everyday folks, who are rarely seen in the media, will be captured for all to see in their everyday glory. |
| The project will be updated over the coming five years. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| \'On the Road: The Jack Kerouac Trail\' will follow the route taken by Sal Paradise (Jack Kerouac) in the novel written in April 1951. |
| The photographs, which will be taken over the coming five years, aim to show the changes in society and the modern landscape of America. This fascinating look at humanity and in particularly the eclectic groups that one of the world’s superpowers has amongst its people, allows us to delve into a world that we only get to glimpse of in today’s media. |
| Through these photographs I hope to gain an understanding of the impossible complexities of life. As the book ends "Nobody knows what’s going to happen to anybody besides the forlorn rags of growing old." |
| These photographs will aim to view both the high and low strata of American society. The project as a whole will create a complicated portrait of this period that views the skepticism of contemporary values and evocative of ubiquitous loneliness that America has come to stand for. With many people’s view becoming more cynical then ever regarding American politics, those everyday folks, who are rarely seen in the media, will be captured for all to see in their everyday glory. |
| The project will be updated over the coming five years. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| \'On the Road: The Jack Kerouac Trail\' will follow the route taken by Sal Paradise (Jack Kerouac) in the novel written in April 1951. |
| The photographs, which will be taken over the coming five years, aim to show the changes in society and the modern landscape of America. This fascinating look at humanity and in particularly the eclectic groups that one of the world’s superpowers has amongst its people, allows us to delve into a world that we only get to glimpse of in today’s media. |
| Through these photographs I hope to gain an understanding of the impossible complexities of life. As the book ends "Nobody knows what’s going to happen to anybody besides the forlorn rags of growing old." |
| These photographs will aim to view both the high and low strata of American society. The project as a whole will create a complicated portrait of this period that views the skepticism of contemporary values and evocative of ubiquitous loneliness that America has come to stand for. With many people’s view becoming more cynical then ever regarding American politics, those everyday folks, who are rarely seen in the media, will be captured for all to see in their everyday glory. |
| The project will be updated over the coming five years. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| \'On the Road: The Jack Kerouac Trail\' will follow the route taken by Sal Paradise (Jack Kerouac) in the novel written in April 1951. |
| The photographs, which will be taken over the coming five years, aim to show the changes in society and the modern landscape of America. This fascinating look at humanity and in particularly the eclectic groups that one of the world’s superpowers has amongst its people, allows us to delve into a world that we only get to glimpse of in today’s media. |
| Through these photographs I hope to gain an understanding of the impossible complexities of life. As the book ends "Nobody knows what’s going to happen to anybody besides the forlorn rags of growing old." |
| These photographs will aim to view both the high and low strata of American society. The project as a whole will create a complicated portrait of this period that views the skepticism of contemporary values and evocative of ubiquitous loneliness that America has come to stand for. With many people’s view becoming more cynical then ever regarding American politics, those everyday folks, who are rarely seen in the media, will be captured for all to see in their everyday glory. |
| The project will be updated over the coming five years. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| City people have always had an attraction to me, allowing me to look at life up close and personal. The styles and habits of those who dwell in our cities are reflected in the different environments and uniqueness of the many cities around the world. |
| Life deep in the modern metropolis affects the senses and influences our perception of life; the city has control over us whether we like it or not. Time, space and contact changes from city to city, but they all have one thing in common, the fact that they are far more exacerbated and relative than in the towns and villages outside the modern city. |
| These photographs, captured on the many journeys I have been lucky to of taken, start to show that no matter where we travel to, we can always see the things that are common to mankind. Through our employment, social and political surroundings we come to view what is regarded as normality as something that is unattractive. But, for me, the city and those who dwell in it are an untapped source of inspiration, and these personal observations are a tribute to lives that are beautiful in there own right. |
| These photographs are an ongoing series and will be updated as and when possible. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| City people have always had an attraction to me, allowing me to look at life up close and personal. The styles and habits of those who dwell in our cities are reflected in the different environments and uniqueness of the many cities around the world. |
| Life deep in the modern metropolis affects the senses and influences our perception of life; the city has control over us whether we like it or not. Time, space and contact changes from city to city, but they all have one thing in common, the fact that they are far more exacerbated and relative than in the towns and villages outside the modern city. |
| These photographs, captured on the many journeys I have been lucky to of taken, start to show that no matter where we travel to, we can always see the things that are common to mankind. Through our employment, social and political surroundings we come to view what is regarded as normality as something that is unattractive. But, for me, the city and those who dwell in it are an untapped source of inspiration, and these personal observations are a tribute to lives that are beautiful in there own right. |
| These photographs are an ongoing series and will be updated as and when possible. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| City people have always had an attraction to me, allowing me to look at life up close and personal. The styles and habits of those who dwell in our cities are reflected in the different environments and uniqueness of the many cities around the world. |
| Life deep in the modern metropolis affects the senses and influences our perception of life; the city has control over us whether we like it or not. Time, space and contact changes from city to city, but they all have one thing in common, the fact that they are far more exacerbated and relative than in the towns and villages outside the modern city. |
| These photographs, captured on the many journeys I have been lucky to of taken, start to show that no matter where we travel to, we can always see the things that are common to mankind. Through our employment, social and political surroundings we come to view what is regarded as normality as something that is unattractive. But, for me, the city and those who dwell in it are an untapped source of inspiration, and these personal observations are a tribute to lives that are beautiful in there own right. |
| These photographs are an ongoing series and will be updated as and when possible. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| City people have always had an attraction to me, allowing me to look at life up close and personal. The styles and habits of those who dwell in our cities are reflected in the different environments and uniqueness of the many cities around the world. |
| Life deep in the modern metropolis affects the senses and influences our perception of life; the city has control over us whether we like it or not. Time, space and contact changes from city to city, but they all have one thing in common, the fact that they are far more exacerbated and relative than in the towns and villages outside the modern city. |
| These photographs, captured on the many journeys I have been lucky to of taken, start to show that no matter where we travel to, we can always see the things that are common to mankind. Through our employment, social and political surroundings we come to view what is regarded as normality as something that is unattractive. But, for me, the city and those who dwell in it are an untapped source of inspiration, and these personal observations are a tribute to lives that are beautiful in there own right. |
| These photographs are an ongoing series and will be updated as and when possible. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| City people have always had an attraction to me, allowing me to look at life up close and personal. The styles and habits of those who dwell in our cities are reflected in the different environments and uniqueness of the many cities around the world. |
| Life deep in the modern metropolis affects the senses and influences our perception of life; the city has control over us whether we like it or not. Time, space and contact changes from city to city, but they all have one thing in common, the fact that they are far more exacerbated and relative than in the towns and villages outside the modern city. |
| These photographs, captured on the many journeys I have been lucky to of taken, start to show that no matter where we travel to, we can always see the things that are common to mankind. Through our employment, social and political surroundings we come to view what is regarded as normality as something that is unattractive. But, for me, the city and those who dwell in it are an untapped source of inspiration, and these personal observations are a tribute to lives that are beautiful in there own right. |
| These photographs are an ongoing series and will be updated as and when possible. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| City people have always had an attraction to me, allowing me to look at life up close and personal. The styles and habits of those who dwell in our cities are reflected in the different environments and uniqueness of the many cities around the world. |
| Life deep in the modern metropolis affects the senses and influences our perception of life; the city has control over us whether we like it or not. Time, space and contact changes from city to city, but they all have one thing in common, the fact that they are far more exacerbated and relative than in the towns and villages outside the modern city. |
| These photographs, captured on the many journeys I have been lucky to of taken, start to show that no matter where we travel to, we can always see the things that are common to mankind. Through our employment, social and political surroundings we come to view what is regarded as normality as something that is unattractive. But, for me, the city and those who dwell in it are an untapped source of inspiration, and these personal observations are a tribute to lives that are beautiful in there own right. |
| These photographs are an ongoing series and will be updated as and when possible. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| City people have always had an attraction to me, allowing me to look at life up close and personal. The styles and habits of those who dwell in our cities are reflected in the different environments and uniqueness of the many cities around the world. |
| Life deep in the modern metropolis affects the senses and influences our perception of life; the city has control over us whether we like it or not. Time, space and contact changes from city to city, but they all have one thing in common, the fact that they are far more exacerbated and relative than in the towns and villages outside the modern city. |
| These photographs, captured on the many journeys I have been lucky to of taken, start to show that no matter where we travel to, we can always see the things that are common to mankind. Through our employment, social and political surroundings we come to view what is regarded as normality as something that is unattractive. But, for me, the city and those who dwell in it are an untapped source of inspiration, and these personal observations are a tribute to lives that are beautiful in there own right. |
| These photographs are an ongoing series and will be updated as and when possible. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| City people have always had an attraction to me, allowing me to look at life up close and personal. The styles and habits of those who dwell in our cities are reflected in the different environments and uniqueness of the many cities around the world. |
| Life deep in the modern metropolis affects the senses and influences our perception of life; the city has control over us whether we like it or not. Time, space and contact changes from city to city, but they all have one thing in common, the fact that they are far more exacerbated and relative than in the towns and villages outside the modern city. |
| These photographs, captured on the many journeys I have been lucky to of taken, start to show that no matter where we travel to, we can always see the things that are common to mankind. Through our employment, social and political surroundings we come to view what is regarded as normality as something that is unattractive. But, for me, the city and those who dwell in it are an untapped source of inspiration, and these personal observations are a tribute to lives that are beautiful in there own right. |
| These photographs are an ongoing series and will be updated as and when possible. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| City people have always had an attraction to me, allowing me to look at life up close and personal. The styles and habits of those who dwell in our cities are reflected in the different environments and uniqueness of the many cities around the world. |
| Life deep in the modern metropolis affects the senses and influences our perception of life; the city has control over us whether we like it or not. Time, space and contact changes from city to city, but they all have one thing in common, the fact that they are far more exacerbated and relative than in the towns and villages outside the modern city. |
| These photographs, captured on the many journeys I have been lucky to of taken, start to show that no matter where we travel to, we can always see the things that are common to mankind. Through our employment, social and political surroundings we come to view what is regarded as normality as something that is unattractive. But, for me, the city and those who dwell in it are an untapped source of inspiration, and these personal observations are a tribute to lives that are beautiful in there own right. |
| These photographs are an ongoing series and will be updated as and when possible. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| City people have always had an attraction to me, allowing me to look at life up close and personal. The styles and habits of those who dwell in our cities are reflected in the different environments and uniqueness of the many cities around the world. |
| Life deep in the modern metropolis affects the senses and influences our perception of life; the city has control over us whether we like it or not. Time, space and contact changes from city to city, but they all have one thing in common, the fact that they are far more exacerbated and relative than in the towns and villages outside the modern city. |
| These photographs, captured on the many journeys I have been lucky to of taken, start to show that no matter where we travel to, we can always see the things that are common to mankind. Through our employment, social and political surroundings we come to view what is regarded as normality as something that is unattractive. But, for me, the city and those who dwell in it are an untapped source of inspiration, and these personal observations are a tribute to lives that are beautiful in there own right. |
| These photographs are an ongoing series and will be updated as and when possible. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| City people have always had an attraction to me, allowing me to look at life up close and personal. The styles and habits of those who dwell in our cities are reflected in the different environments and uniqueness of the many cities around the world. |
| Life deep in the modern metropolis affects the senses and influences our perception of life; the city has control over us whether we like it or not. Time, space and contact changes from city to city, but they all have one thing in common, the fact that they are far more exacerbated and relative than in the towns and villages outside the modern city. |
| These photographs, captured on the many journeys I have been lucky to of taken, start to show that no matter where we travel to, we can always see the things that are common to mankind. Through our employment, social and political surroundings we come to view what is regarded as normality as something that is unattractive. But, for me, the city and those who dwell in it are an untapped source of inspiration, and these personal observations are a tribute to lives that are beautiful in there own right. |
| These photographs are an ongoing series and will be updated as and when possible. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| City people have always had an attraction to me, allowing me to look at life up close and personal. The styles and habits of those who dwell in our cities are reflected in the different environments and uniqueness of the many cities around the world. |
| Life deep in the modern metropolis affects the senses and influences our perception of life; the city has control over us whether we like it or not. Time, space and contact changes from city to city, but they all have one thing in common, the fact that they are far more exacerbated and relative than in the towns and villages outside the modern city. |
| These photographs, captured on the many journeys I have been lucky to of taken, start to show that no matter where we travel to, we can always see the things that are common to mankind. Through our employment, social and political surroundings we come to view what is regarded as normality as something that is unattractive. But, for me, the city and those who dwell in it are an untapped source of inspiration, and these personal observations are a tribute to lives that are beautiful in there own right. |
| These photographs are an ongoing series and will be updated as and when possible. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| City people have always had an attraction to me, allowing me to look at life up close and personal. The styles and habits of those who dwell in our cities are reflected in the different environments and uniqueness of the many cities around the world. |
| Life deep in the modern metropolis affects the senses and influences our perception of life; the city has control over us whether we like it or not. Time, space and contact changes from city to city, but they all have one thing in common, the fact that they are far more exacerbated and relative than in the towns and villages outside the modern city. |
| These photographs, captured on the many journeys I have been lucky to of taken, start to show that no matter where we travel to, we can always see the things that are common to mankind. Through our employment, social and political surroundings we come to view what is regarded as normality as something that is unattractive. But, for me, the city and those who dwell in it are an untapped source of inspiration, and these personal observations are a tribute to lives that are beautiful in there own right. |
| These photographs are an ongoing series and will be updated as and when possible. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| City people have always had an attraction to me, allowing me to look at life up close and personal. The styles and habits of those who dwell in our cities are reflected in the different environments and uniqueness of the many cities around the world. |
| Life deep in the modern metropolis affects the senses and influences our perception of life; the city has control over us whether we like it or not. Time, space and contact changes from city to city, but they all have one thing in common, the fact that they are far more exacerbated and relative than in the towns and villages outside the modern city. |
| These photographs, captured on the many journeys I have been lucky to of taken, start to show that no matter where we travel to, we can always see the things that are common to mankind. Through our employment, social and political surroundings we come to view what is regarded as normality as something that is unattractive. But, for me, the city and those who dwell in it are an untapped source of inspiration, and these personal observations are a tribute to lives that are beautiful in there own right. |
| These photographs are an ongoing series and will be updated as and when possible. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| City people have always had an attraction to me, allowing me to look at life up close and personal. The styles and habits of those who dwell in our cities are reflected in the different environments and uniqueness of the many cities around the world. |
| Life deep in the modern metropolis affects the senses and influences our perception of life; the city has control over us whether we like it or not. Time, space and contact changes from city to city, but they all have one thing in common, the fact that they are far more exacerbated and relative than in the towns and villages outside the modern city. |
| These photographs, captured on the many journeys I have been lucky to of taken, start to show that no matter where we travel to, we can always see the things that are common to mankind. Through our employment, social and political surroundings we come to view what is regarded as normality as something that is unattractive. But, for me, the city and those who dwell in it are an untapped source of inspiration, and these personal observations are a tribute to lives that are beautiful in there own right. |
| These photographs are an ongoing series and will be updated as and when possible. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| City people have always had an attraction to me, allowing me to look at life up close and personal. The styles and habits of those who dwell in our cities are reflected in the different environments and uniqueness of the many cities around the world. |
| Life deep in the modern metropolis affects the senses and influences our perception of life; the city has control over us whether we like it or not. Time, space and contact changes from city to city, but they all have one thing in common, the fact that they are far more exacerbated and relative than in the towns and villages outside the modern city. |
| These photographs, captured on the many journeys I have been lucky to of taken, start to show that no matter where we travel to, we can always see the things that are common to mankind. Through our employment, social and political surroundings we come to view what is regarded as normality as something that is unattractive. But, for me, the city and those who dwell in it are an untapped source of inspiration, and these personal observations are a tribute to lives that are beautiful in there own right. |
| These photographs are an ongoing series and will be updated as and when possible. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| City people have always had an attraction to me, allowing me to look at life up close and personal. The styles and habits of those who dwell in our cities are reflected in the different environments and uniqueness of the many cities around the world. |
| Life deep in the modern metropolis affects the senses and influences our perception of life; the city has control over us whether we like it or not. Time, space and contact changes from city to city, but they all have one thing in common, the fact that they are far more exacerbated and relative than in the towns and villages outside the modern city. |
| These photographs, captured on the many journeys I have been lucky to of taken, start to show that no matter where we travel to, we can always see the things that are common to mankind. Through our employment, social and political surroundings we come to view what is regarded as normality as something that is unattractive. But, for me, the city and those who dwell in it are an untapped source of inspiration, and these personal observations are a tribute to lives that are beautiful in there own right. |
| These photographs are an ongoing series and will be updated as and when possible. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| City people have always had an attraction to me, allowing me to look at life up close and personal. The styles and habits of those who dwell in our cities are reflected in the different environments and uniqueness of the many cities around the world. |
| Life deep in the modern metropolis affects the senses and influences our perception of life; the city has control over us whether we like it or not. Time, space and contact changes from city to city, but they all have one thing in common, the fact that they are far more exacerbated and relative than in the towns and villages outside the modern city. |
| These photographs, captured on the many journeys I have been lucky to of taken, start to show that no matter where we travel to, we can always see the things that are common to mankind. Through our employment, social and political surroundings we come to view what is regarded as normality as something that is unattractive. But, for me, the city and those who dwell in it are an untapped source of inspiration, and these personal observations are a tribute to lives that are beautiful in there own right. |
| These photographs are an ongoing series and will be updated as and when possible. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| City people have always had an attraction to me, allowing me to look at life up close and personal. The styles and habits of those who dwell in our cities are reflected in the different environments and uniqueness of the many cities around the world. |
| Life deep in the modern metropolis affects the senses and influences our perception of life; the city has control over us whether we like it or not. Time, space and contact changes from city to city, but they all have one thing in common, the fact that they are far more exacerbated and relative than in the towns and villages outside the modern city. |
| These photographs, captured on the many journeys I have been lucky to of taken, start to show that no matter where we travel to, we can always see the things that are common to mankind. Through our employment, social and political surroundings we come to view what is regarded as normality as something that is unattractive. But, for me, the city and those who dwell in it are an untapped source of inspiration, and these personal observations are a tribute to lives that are beautiful in there own right. |
| These photographs are an ongoing series and will be updated as and when possible. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| City people have always had an attraction to me, allowing me to look at life up close and personal. The styles and habits of those who dwell in our cities are reflected in the different environments and uniqueness of the many cities around the world. |
| Life deep in the modern metropolis affects the senses and influences our perception of life; the city has control over us whether we like it or not. Time, space and contact changes from city to city, but they all have one thing in common, the fact that they are far more exacerbated and relative than in the towns and villages outside the modern city. |
| These photographs, captured on the many journeys I have been lucky to of taken, start to show that no matter where we travel to, we can always see the things that are common to mankind. Through our employment, social and political surroundings we come to view what is regarded as normality as something that is unattractive. But, for me, the city and those who dwell in it are an untapped source of inspiration, and these personal observations are a tribute to lives that are beautiful in there own right. |
| These photographs are an ongoing series and will be updated as and when possible. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| City people have always had an attraction to me, allowing me to look at life up close and personal. The styles and habits of those who dwell in our cities are reflected in the different environments and uniqueness of the many cities around the world. |
| Life deep in the modern metropolis affects the senses and influences our perception of life; the city has control over us whether we like it or not. Time, space and contact changes from city to city, but they all have one thing in common, the fact that they are far more exacerbated and relative than in the towns and villages outside the modern city. |
| These photographs, captured on the many journeys I have been lucky to of taken, start to show that no matter where we travel to, we can always see the things that are common to mankind. Through our employment, social and political surroundings we come to view what is regarded as normality as something that is unattractive. But, for me, the city and those who dwell in it are an untapped source of inspiration, and these personal observations are a tribute to lives that are beautiful in there own right. |
| These photographs are an ongoing series and will be updated as and when possible. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| City people have always had an attraction to me, allowing me to look at life up close and personal. The styles and habits of those who dwell in our cities are reflected in the different environments and uniqueness of the many cities around the world. |
| Life deep in the modern metropolis affects the senses and influences our perception of life; the city has control over us whether we like it or not. Time, space and contact changes from city to city, but they all have one thing in common, the fact that they are far more exacerbated and relative than in the towns and villages outside the modern city. |
| These photographs, captured on the many journeys I have been lucky to of taken, start to show that no matter where we travel to, we can always see the things that are common to mankind. Through our employment, social and political surroundings we come to view what is regarded as normality as something that is unattractive. But, for me, the city and those who dwell in it are an untapped source of inspiration, and these personal observations are a tribute to lives that are beautiful in there own right. |
| These photographs are an ongoing series and will be updated as and when possible. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| City people have always had an attraction to me, allowing me to look at life up close and personal. The styles and habits of those who dwell in our cities are reflected in the different environments and uniqueness of the many cities around the world. |
| Life deep in the modern metropolis affects the senses and influences our perception of life; the city has control over us whether we like it or not. Time, space and contact changes from city to city, but they all have one thing in common, the fact that they are far more exacerbated and relative than in the towns and villages outside the modern city. |
| These photographs, captured on the many journeys I have been lucky to of taken, start to show that no matter where we travel to, we can always see the things that are common to mankind. Through our employment, social and political surroundings we come to view what is regarded as normality as something that is unattractive. But, for me, the city and those who dwell in it are an untapped source of inspiration, and these personal observations are a tribute to lives that are beautiful in there own right. |
| These photographs are an ongoing series and will be updated as and when possible. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| City people have always had an attraction to me, allowing me to look at life up close and personal. The styles and habits of those who dwell in our cities are reflected in the different environments and uniqueness of the many cities around the world. |
| Life deep in the modern metropolis affects the senses and influences our perception of life; the city has control over us whether we like it or not. Time, space and contact changes from city to city, but they all have one thing in common, the fact that they are far more exacerbated and relative than in the towns and villages outside the modern city. |
| These photographs, captured on the many journeys I have been lucky to of taken, start to show that no matter where we travel to, we can always see the things that are common to mankind. Through our employment, social and political surroundings we come to view what is regarded as normality as something that is unattractive. But, for me, the city and those who dwell in it are an untapped source of inspiration, and these personal observations are a tribute to lives that are beautiful in there own right. |
| These photographs are an ongoing series and will be updated as and when possible. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| City people have always had an attraction to me, allowing me to look at life up close and personal. The styles and habits of those who dwell in our cities are reflected in the different environments and uniqueness of the many cities around the world. |
| Life deep in the modern metropolis affects the senses and influences our perception of life; the city has control over us whether we like it or not. Time, space and contact changes from city to city, but they all have one thing in common, the fact that they are far more exacerbated and relative than in the towns and villages outside the modern city. |
| These photographs, captured on the many journeys I have been lucky to of taken, start to show that no matter where we travel to, we can always see the things that are common to mankind. Through our employment, social and political surroundings we come to view what is regarded as normality as something that is unattractive. But, for me, the city and those who dwell in it are an untapped source of inspiration, and these personal observations are a tribute to lives that are beautiful in there own right. |
| These photographs are an ongoing series and will be updated as and when possible. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| City people have always had an attraction to me, allowing me to look at life up close and personal. The styles and habits of those who dwell in our cities are reflected in the different environments and uniqueness of the many cities around the world. |
| Life deep in the modern metropolis affects the senses and influences our perception of life; the city has control over us whether we like it or not. Time, space and contact changes from city to city, but they all have one thing in common, the fact that they are far more exacerbated and relative than in the towns and villages outside the modern city. |
| These photographs, captured on the many journeys I have been lucky to of taken, start to show that no matter where we travel to, we can always see the things that are common to mankind. Through our employment, social and political surroundings we come to view what is regarded as normality as something that is unattractive. But, for me, the city and those who dwell in it are an untapped source of inspiration, and these personal observations are a tribute to lives that are beautiful in there own right. |
| These photographs are an ongoing series and will be updated as and when possible. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| City people have always had an attraction to me, allowing me to look at life up close and personal. The styles and habits of those who dwell in our cities are reflected in the different environments and uniqueness of the many cities around the world. |
| Life deep in the modern metropolis affects the senses and influences our perception of life; the city has control over us whether we like it or not. Time, space and contact changes from city to city, but they all have one thing in common, the fact that they are far more exacerbated and relative than in the towns and villages outside the modern city. |
| These photographs, captured on the many journeys I have been lucky to of taken, start to show that no matter where we travel to, we can always see the things that are common to mankind. Through our employment, social and political surroundings we come to view what is regarded as normality as something that is unattractive. But, for me, the city and those who dwell in it are an untapped source of inspiration, and these personal observations are a tribute to lives that are beautiful in there own right. |
| These photographs are an ongoing series and will be updated as and when possible. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| City people have always had an attraction to me, allowing me to look at life up close and personal. The styles and habits of those who dwell in our cities are reflected in the different environments and uniqueness of the many cities around the world. |
| Life deep in the modern metropolis affects the senses and influences our perception of life; the city has control over us whether we like it or not. Time, space and contact changes from city to city, but they all have one thing in common, the fact that they are far more exacerbated and relative than in the towns and villages outside the modern city. |
| These photographs, captured on the many journeys I have been lucky to of taken, start to show that no matter where we travel to, we can always see the things that are common to mankind. Through our employment, social and political surroundings we come to view what is regarded as normality as something that is unattractive. But, for me, the city and those who dwell in it are an untapped source of inspiration, and these personal observations are a tribute to lives that are beautiful in there own right. |
| These photographs are an ongoing series and will be updated as and when possible. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| City people have always had an attraction to me, allowing me to look at life up close and personal. The styles and habits of those who dwell in our cities are reflected in the different environments and uniqueness of the many cities around the world. |
| Life deep in the modern metropolis affects the senses and influences our perception of life; the city has control over us whether we like it or not. Time, space and contact changes from city to city, but they all have one thing in common, the fact that they are far more exacerbated and relative than in the towns and villages outside the modern city. |
| These photographs, captured on the many journeys I have been lucky to of taken, start to show that no matter where we travel to, we can always see the things that are common to mankind. Through our employment, social and political surroundings we come to view what is regarded as normality as something that is unattractive. But, for me, the city and those who dwell in it are an untapped source of inspiration, and these personal observations are a tribute to lives that are beautiful in there own right. |
| These photographs are an ongoing series and will be updated as and when possible. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| City people have always had an attraction to me, allowing me to look at life up close and personal. The styles and habits of those who dwell in our cities are reflected in the different environments and uniqueness of the many cities around the world. |
| Life deep in the modern metropolis affects the senses and influences our perception of life; the city has control over us whether we like it or not. Time, space and contact changes from city to city, but they all have one thing in common, the fact that they are far more exacerbated and relative than in the towns and villages outside the modern city. |
| These photographs, captured on the many journeys I have been lucky to of taken, start to show that no matter where we travel to, we can always see the things that are common to mankind. Through our employment, social and political surroundings we come to view what is regarded as normality as something that is unattractive. But, for me, the city and those who dwell in it are an untapped source of inspiration, and these personal observations are a tribute to lives that are beautiful in there own right. |
| These photographs are an ongoing series and will be updated as and when possible. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| City people have always had an attraction to me, allowing me to look at life up close and personal. The styles and habits of those who dwell in our cities are reflected in the different environments and uniqueness of the many cities around the world. |
| Life deep in the modern metropolis affects the senses and influences our perception of life; the city has control over us whether we like it or not. Time, space and contact changes from city to city, but they all have one thing in common, the fact that they are far more exacerbated and relative than in the towns and villages outside the modern city. |
| These photographs, captured on the many journeys I have been lucky to of taken, start to show that no matter where we travel to, we can always see the things that are common to mankind. Through our employment, social and political surroundings we come to view what is regarded as normality as something that is unattractive. But, for me, the city and those who dwell in it are an untapped source of inspiration, and these personal observations are a tribute to lives that are beautiful in there own right. |
| These photographs are an ongoing series and will be updated as and when possible. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| City people have always had an attraction to me, allowing me to look at life up close and personal. The styles and habits of those who dwell in our cities are reflected in the different environments and uniqueness of the many cities around the world. |
| Life deep in the modern metropolis affects the senses and influences our perception of life; the city has control over us whether we like it or not. Time, space and contact changes from city to city, but they all have one thing in common, the fact that they are far more exacerbated and relative than in the towns and villages outside the modern city. |
| These photographs, captured on the many journeys I have been lucky to of taken, start to show that no matter where we travel to, we can always see the things that are common to mankind. Through our employment, social and political surroundings we come to view what is regarded as normality as something that is unattractive. But, for me, the city and those who dwell in it are an untapped source of inspiration, and these personal observations are a tribute to lives that are beautiful in there own right. |
| These photographs are an ongoing series and will be updated as and when possible. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| City people have always had an attraction to me, allowing me to look at life up close and personal. The styles and habits of those who dwell in our cities are reflected in the different environments and uniqueness of the many cities around the world. |
| Life deep in the modern metropolis affects the senses and influences our perception of life; the city has control over us whether we like it or not. Time, space and contact changes from city to city, but they all have one thing in common, the fact that they are far more exacerbated and relative than in the towns and villages outside the modern city. |
| These photographs, captured on the many journeys I have been lucky to of taken, start to show that no matter where we travel to, we can always see the things that are common to mankind. Through our employment, social and political surroundings we come to view what is regarded as normality as something that is unattractive. But, for me, the city and those who dwell in it are an untapped source of inspiration, and these personal observations are a tribute to lives that are beautiful in there own right. |
| These photographs are an ongoing series and will be updated as and when possible. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| City people have always had an attraction to me, allowing me to look at life up close and personal. The styles and habits of those who dwell in our cities are reflected in the different environments and uniqueness of the many cities around the world. |
| Life deep in the modern metropolis affects the senses and influences our perception of life; the city has control over us whether we like it or not. Time, space and contact changes from city to city, but they all have one thing in common, the fact that they are far more exacerbated and relative than in the towns and villages outside the modern city. |
| These photographs, captured on the many journeys I have been lucky to of taken, start to show that no matter where we travel to, we can always see the things that are common to mankind. Through our employment, social and political surroundings we come to view what is regarded as normality as something that is unattractive. But, for me, the city and those who dwell in it are an untapped source of inspiration, and these personal observations are a tribute to lives that are beautiful in there own right. |
| These photographs are an ongoing series and will be updated as and when possible. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| City people have always had an attraction to me, allowing me to look at life up close and personal. The styles and habits of those who dwell in our cities are reflected in the different environments and uniqueness of the many cities around the world. |
| Life deep in the modern metropolis affects the senses and influences our perception of life; the city has control over us whether we like it or not. Time, space and contact changes from city to city, but they all have one thing in common, the fact that they are far more exacerbated and relative than in the towns and villages outside the modern city. |
| These photographs, captured on the many journeys I have been lucky to of taken, start to show that no matter where we travel to, we can always see the things that are common to mankind. Through our employment, social and political surroundings we come to view what is regarded as normality as something that is unattractive. But, for me, the city and those who dwell in it are an untapped source of inspiration, and these personal observations are a tribute to lives that are beautiful in there own right. |
| These photographs are an ongoing series and will be updated as and when possible. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| City people have always had an attraction to me, allowing me to look at life up close and personal. The styles and habits of those who dwell in our cities are reflected in the different environments and uniqueness of the many cities around the world. |
| Life deep in the modern metropolis affects the senses and influences our perception of life; the city has control over us whether we like it or not. Time, space and contact changes from city to city, but they all have one thing in common, the fact that they are far more exacerbated and relative than in the towns and villages outside the modern city. |
| These photographs, captured on the many journeys I have been lucky to of taken, start to show that no matter where we travel to, we can always see the things that are common to mankind. Through our employment, social and political surroundings we come to view what is regarded as normality as something that is unattractive. But, for me, the city and those who dwell in it are an untapped source of inspiration, and these personal observations are a tribute to lives that are beautiful in there own right. |
| These photographs are an ongoing series and will be updated as and when possible. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| City people have always had an attraction to me, allowing me to look at life up close and personal. The styles and habits of those who dwell in our cities are reflected in the different environments and uniqueness of the many cities around the world. |
| Life deep in the modern metropolis affects the senses and influences our perception of life; the city has control over us whether we like it or not. Time, space and contact changes from city to city, but they all have one thing in common, the fact that they are far more exacerbated and relative than in the towns and villages outside the modern city. |
| These photographs, captured on the many journeys I have been lucky to of taken, start to show that no matter where we travel to, we can always see the things that are common to mankind. Through our employment, social and political surroundings we come to view what is regarded as normality as something that is unattractive. But, for me, the city and those who dwell in it are an untapped source of inspiration, and these personal observations are a tribute to lives that are beautiful in there own right. |
| These photographs are an ongoing series and will be updated as and when possible. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| City people have always had an attraction to me, allowing me to look at life up close and personal. The styles and habits of those who dwell in our cities are reflected in the different environments and uniqueness of the many cities around the world. |
| Life deep in the modern metropolis affects the senses and influences our perception of life; the city has control over us whether we like it or not. Time, space and contact changes from city to city, but they all have one thing in common, the fact that they are far more exacerbated and relative than in the towns and villages outside the modern city. |
| These photographs, captured on the many journeys I have been lucky to of taken, start to show that no matter where we travel to, we can always see the things that are common to mankind. Through our employment, social and political surroundings we come to view what is regarded as normality as something that is unattractive. But, for me, the city and those who dwell in it are an untapped source of inspiration, and these personal observations are a tribute to lives that are beautiful in there own right. |
| These photographs are an ongoing series and will be updated as and when possible. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
| City people have always had an attraction to me, allowing me to look at life up close and personal. The styles and habits of those who dwell in our cities are reflected in the different environments and uniqueness of the many cities around the world. |
| Life deep in the modern metropolis affects the senses and influences our perception of life; the city has control over us whether we like it or not. Time, space and contact changes from city to city, but they all have one thing in common, the fact that they are far more exacerbated and relative than in the towns and villages outside the modern city. |
| These photographs, captured on the many journeys I have been lucky to of taken, start to show that no matter where we travel to, we can always see the things that are common to mankind. Through our employment, social and political surroundings we come to view what is regarded as normality as something that is unattractive. But, for me, the city and those who dwell in it are an untapped source of inspiration, and these personal observations are a tribute to lives that are beautiful in there own right. |
| These photographs are an ongoing series and will be updated as and when possible. |
© 2008 Richard Evans/ ryu-ei-kyo.com \r\n All images on this website are copyrighted. Any copying, usage or distribution is strictly prohibited. \r\n \r\n |
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